Hands-On Fine Art Printing Tips

Fine art prints are very high-quality photos printed using archival quality inks on acid-free fine art paper. These fine art prints or archival prints are highly durable and will last up to 50+ years and come with a beautiful finish. You can make your cherishable memories timeless by getting fine art prints for your family photographs, wildlife, nature, travel photographs and so on.

Fine art Print

Five tips to get the best fine art prints:

  • While preparing the digital copy for fine art printing give due consideration to focus, minimal noise, depth of field, flawless surfaces, smooth gradation, shadow and highlight details and other intricate aspects for enhancing the prints.
  • Proof before you print the fine art photos as these last minute touch ups like sharpening the substrate and its size, viewing light temperature, adjusting the scale, restoring deep shadow detail and others will make your prints stand apart from other fine art prints.
  • Use the best ink set for printing which gives saturated colors, neutral neutrals, good grey balance and rich blacks. The best ink sets give metamerism and reduced gloss differential. They are water resistant, lightfast, permanent and fast drying.
  • Choose a scale corresponding to your images and do not set large sizes for small images and vice versa. Adjust the scale of printing so that the vivid details of the fine art print are enhanced in the final print.
  • Select a substrate or fine art paper that brings out the finer details of your image in the final print. You can also go for wood, metal, plastic or any other suitable material that may serve your need. But the main thing is to adjust the substrate to get the best quality fine art print.

You can get the best archival prints by visiting www.photostop.in and setting up your preferences. We will deliver your archival prints to your doorstep.

Photostop adds a touch of technology and gives life to your creative work.

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Mr. PK Raja
Wildlife Photographer

Email Idpkraja@wowxplore.com Phone number: 9538877220

Mr P K Raja is a wildlife photographer by hobby and is an IT entrepreneur by profession. He has a relentless zeal for wildlife photography and has been part of Royal Belum Hornbill Expedition team in 2017, to study 10 different types of Hornbills in Royal Belum forest, the oldest rainforest of the world. Representatives from nearly 17 countries have attended this expedition.

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He says “The diversity of nature’s creation has always perplexed me. My curiosity to know more has driven me to take up photo expeditions for past one year. We had a successful Masai Mara tour with 16-member team and plans to go to Borneo, Sulawesi Papua Uganda and couple of unknown areas in next two years. The idea is to record and create a consolidated knowledge base for future.”

We interviewed Mr P K Raja regarding his interesting journey as a wildlife photographer and below given are excerpts from that interview.

1) Tell us something about you and how you developed an interest in photography?

To me as a young boy, my dad creating an image of a “WOW” moment using a device fascinated me. My Dad had a Zeiss Ikon Camera and it was my first introduction to camera in my life. It was totally manual. You go by an estimate of focal length and exposure settings and just click. Then you take the roll to dark room to make “negative film” and then a print called “Positive” to know what you have taken. No immediate previews and you see your images days after you finish clicking the film roll. And they were all in black and white. During those days, photography for me was fun and in rush of my career somewhere I got disconnected from it. Around 5 years back I was detected with diabetes and doctor said morning walk is essential and I should find ways to not take stress. Morning walks were boring and that inspired me to buy a DSLR and photography came back to my life again. Photography was my stress buster and that one hour in mornings with my camera was fully mine. I realised that this is what I enjoy the most!

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Ulsoor lake, its Cormorants and Herons were my subjects and I enjoyed watching them and understanding them and their behaviour. And social media gave me a platform to share those shots and moments, which represented my understanding of their behaviour.

Ulsoor lake was also a test bed for me. The DSLR was not the same any more. It had many features and photography had matured far beyond what it was 25 years back. I had to go through a relearning! But it was all fun. And I think this is the best thing that happened in my life.

2) What are the various types of photography you indulge in?

Wildlife, primarily birds and mammals are my area of interest. When I started, I photographed anything and everything around. But this taught me the importance of perspectives in photography as a storyteller. Slowly I discovered that wildlife is something that fascinated me.

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The diversity in nature, colours and variety of birds and animals, their intricate relationship and role in ecosystem generated my interest in wildlife. I can spend days in forest or wilderness to get a unique action shot of an animal or bird in its natural habitat (even if it’s a crow), which might depict its not so common trait or highlight something which we may not notice on a day to day basis. And I think this is what brings the connect with viewer, generate curiosity, takes him from Incognito to Cognito and integrate common man to the importance of conservation of wildlife.

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3) What is the inspiration that keeps you going?

Whenever I know something new about birds or animals w.r.t their behaviour or role in nature I am drawn to record those “wow” moments and share it with the world. And it is this curiosity to know more about them is my inspiration. This challenge to get that “wow” moment keeps me going.

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 4) How do you feel when your work is viewed and appreciated by a large audience?

In simple words, it gives me enormous satisfaction, sense of honour and happiness. It keeps me motivated and inspires me to keep doing better. And also, it reaffirms the path I have chosen.

5) Tell us about photography and its inception?

Basic need to treasure moments and people led to discovery of camera and photography. It started with sketches and painting, and as the tools and technology evolved, the automation and mechanisation gave it today’s shape as photography. And the need for visual communication made it an industry in itself.

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6) What, according to you, is photography and how do you perceive it?

Photography is a visual script to present my perspective of nature and wildlife. If frame is the paper, light and shade is the grammar of the script, and the subject the theme of the story, I see photography as a medium to depict my version of romance with wildlife and nature.

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7) Please share some of your achievements in the photography profession.

One award that I cherish to date is the one I had got in college for a black & white photograph that I had taken using a fully manual film roll camera of 1980s and printed it myself in the dark room.

And what I treasure the most is when somebody looks at my image and says, I came to know something new about birds and animals from your photograph.

Invitation by Malaysian Tourism Department to be part of their Royal Belum Hornbill Expedition team in 2017, to study 10 different types of Hornbills in Royal Belum, the oldest rainforest of the world, is something I consider an honour. It had representatives from 17 countries.

Few photographs of mine were also picked up by NatGeo, Koodu, NBPA, and few other magazines. My photographs have also been exhibited in Japan and Egypt.

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8) Tell us something about the photography community you belong to.

My photography community is a closed group of like-minded friends who are passionate wildlife photographers.

I am the Co-founder of a wildlife-based Facebook community, World of Wildlife (WOW). It is a group where wildlife photographers and enthusiasts can share their shots or opinions and can discuss on wildlife subject or wildlife photography.

9) Tell us about the general response you receive in exhibitions.

There have been good footfalls depending on the location. People had been curious and inquisitive. I would say it’s been encouraging. For me, may be some awareness and knowledge being shared.

10) What do you think about the scope of Photography in the modern Digital world?

A picture paints a thousand words!

Digital technology has made creation and publishing of visual story affordable and simpler. Availability of information about destination has become easier. You can easily publish your work on social media platforms and reach a wide array of people across the globe. I think digital media opens up a huge potential for visual medium. Image creation will play a central role in communications in the future.

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11) How do you feel about your association with Honeycomb creative support?

Honeycomb has a team of humble professionals and has always been very co-operative with photographers. I think they put the extra efforts to understand the photographer’s perspective and feel of the image before it goes for the print. This makes them distinct among others.

12) What are your future plans and dreams?

Professionally I am an IT entrepreneur. Wildlife and wildlife photography have been my passion. I Wish that my passion can be my profession.

Participating in Royal Belum Hornbill Expedition in 2017 to study 10 species of Hornbills along with delegates from 17 countries gave me the fillip to co-found World of Wildlife (WOW) and wowXplore with friend Mr. Subramannyian Mani who has devoted himself to wildlife and wildlife photography.  The vision of WOW is to provide a platform to the wildlife Photographers, Bloggers and/or any wildlife Knowledge seekers to share their learnings and findings.

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Presently WOW/wowXplore organises Eco Tour expeditions to various places with species-specific objectives to promote knowledge about various species and its importance in ecosystem. In short span WOW has conducted photo expeditions to Maasai Mara and Malaysia. Borneo, Sulawesi, Papua Uganda in plans for 2019 – 2020.

In the future, we also have an idea of developing a research entity on conservation and preservation of wildlife.

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Mr. Manju Acharya
Wildlife Photographer

 

Mr. Manju Acharya is an avid Wildlife Photographer who is a Business Process Analyst by profession in an International Bank. For him, photography is his true passion which brings out his innermost creativity. He wants to create awareness among people regarding Wildlife conservation through his photography.

We had an opportunity to interview Mr. Manju Acharya and below we have given excerpts from his interview.

1) Tell us something about you and how you developed an interest in photography?

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I’m a Bangalore based Nature and Wildlife Photographer, currently working as a Business Process Analyst in an International Bank, and I am also an active contributing artist at Artists for Wildlife Conservation (Karnataka). Being a nature & wildlife enthusiast since the young age, I catapulted to work for BBMP Forest Cell & Karnataka Forest Department as a certified volunteer engaging in various wildlife rescues and awareness programs. Thus, building my passion for photography to contribute towards wildlife through wildlife art.

2) What are the various types of photography you indulge in?

Wildlife and Nature Photography, Sports Photography, Event Photography, Product as well sometimes…

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3) What is the inspiration that keeps you going?

Photography is the strongest medium to convey your perception with which I’ve been trying to create awareness or contribute towards conservation through my photographs. Adding on, Since I’m primarily a wildlife photographer, this genre further pins my passion in capturing moments that are too fast to be easily seen by the naked eye, the momentary eye contact with an animal or bird, the light in an eye and the transient light at dawn and dusk.

4) How do you feel when your work is viewed and appreciated by a large audience?

Feels very positive. Not because people have just appreciated, it is about the recognition for Wildlife Photography which isn’t widely seen in our country. Wildlife photography is not just to fuel one’s passion, it is a channel of education to our society in sharing knowledge about our rich flora and fauna. Hence, I feel very happy and proud when the audience notices my work along with the beauty of our ecosystem.

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5) Tell us about photography and its inception?

The Daguerreotype invention is not really the inception of photography alone. I personally believe it’s just the mode of results that has changed with the amount of science and technology involved today. Photography starts from imagination and our composition. Even before the invention of cameras, artists used to paint their perception and now we have cameras to portray similar results. Thus, I think the history takes us all the way back to when humans started to imagine their perception towards subjects along with their unique compositions as every photographer isn’t the same because every composition can’t be the same.

6) What, according to you, is photography and how do you perceive it?

Photography to me is the STRONGEST MEDIUM to convey a message. It’s a POWERFUL TOOL to express. My aim is to use photographs as a powerful medium to create awareness, conserve nature and to contribute to wildlife. A picture stays longer and makes a bigger impact than words. A combination of both will stay forever and is expected to make a change. Everybody has a camera today or at least mobile cameras, but photography isn’t for social networking alone. It can contribute in various areas for example – Documentation of a subject or scenario, scientific studies through comparison of a subject from past, present and future, behavioral studies, creating awareness and also a sale of art towards conservation. Every photographer can contribute towards any area mentioned above because it’s not the big lens, rather is called the creative sense.

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7) Please share some of your achievements in the photography profession.

Featured across multiple national and international level periodicals like Smart Photography, Sanctuary Asia, etc.

Sale of my wildlife photographs has contributed over 1,00,000 INR towards Earth Brigade Foundation, Wildlife Trust of India, Mariamma Charitable Trust for Key Wildlife Conservation purposes.

Finalist for Sanctuary Asia – 2017 Wildlife Photography Awards.

Placed second in the national level competition conducted by sprouts India, Pune in support with Saevus in 2015.

Ranked among top 10 photographers in India from a national level competition conducted by Forum group in 2014.

3rd Price in the national level competition conducted by Friends of Elephants in association with Darter – 2018 for contribution to wildlife through photography.

Ethics in Wildlife Photography sessions conducted in and around Bangalore during 2017/18.

Judged various photography competitions conducted by various photography institutions like Jain University, BMSIT, Acharya Institutions, Sapthagiri College of Engineering, MES College, Don Bosco Etc during 2015/18.

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8) Tell us something about the photography community you belong to.

I love being part of the most criticizing/genuine communities along with any community that serves some purpose because that’s what makes us better tomorrow. But then I always believe experience and experimentation are the best teachers in art. While learning art, steps can’t be skipped but can rather be fastened through positive acceptance of genuine feedback. Thus, I’m a part of very few communities where I enjoy discussing, criticizing, appreciating elements in a photograph and not take things too seriously. Art should be fun because that’s what fuels one’s passion to keep going and enjoy what they do… It’s also saddening to see how the current trend is, as it’s mostly “Appreciation for an Appreciation”.

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9) Tell us about the general response you receive in exhibitions.

It’s highly unpredictable. So far from my experience, I would say it depends on the gallery and chosen crowd. Art isn’t appreciated the way it was, and response crowd isn’t the same as well due to immense technology, where people like to spend more time on Instagram than being at the gallery and spending quality time with true artists. Being active contributors to ‘Artists for Wildlife Conservation Karnataka’ (AWCK), people generally take a walk and leave. But those who have an interest in photography, spend productive time, speaking to artists about the subject, location, composition and plan ahead which feels nice and brings in positivity to do more. Exhibitions are not for sale of photographs alone, it has more to do with awareness and networking opportunities an artist gets to create. So, I’m happy with every exhibition, though the response or results are highly varying.

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10) What do you think about the scope of Photography in the modern Digital world?

There is immense scope in most of the photography genres but finding the right platform is challenging. Every guy and his brother are photographers today with increased buying power, the technology of good cameras in mobiles, etc. Ethics are barely considered as the objective is only to make a good photograph, which means the supply is high against demand along with huge competition. I think scope only comes into the picture if photography weighs more towards profession than passion. Yet, opportunities are high, and one should capitalize when provided adhering to basic ethics.

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11) How do you feel about your association with Honeycomb creative support?

Being a Nature & Wildlife Photographer, color matching is what I’m always keen about during printing and honeycomb has aced it every time in providing me 99% match all the time. They are quick, adaptive and flexible in their approach which is highly required for client satisfaction. Since the first output from Honeycomb, I’ve printed nearly 30 prints of different size varying from 0.5 ft – 4ft larger side and different mediums like Enhanced Matt, Premium Luster, Hahnemuhle Canvas etc and have been highly satisfied. I’ve always recommended them as I prefer quality and client satisfaction over money.

12) What are your future plans and dreams?

I wish to be a full-time Nature and Wildlife photographer contributing towards awareness, cause, documentation, behavioral studies through challenging projects. The plan is to find the right platform and work towards involving a basic understanding of our wildlife in our education system for kids below 10th grade through the strongest medium of photographs and documentaries. A couple of decades from now, I would like to settle in the woods for a peaceful living…

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